「パリピ孔明」は、誰が思いついたのか、バカな設定のアニメだ、そして前向きなアニメだ。
TOKYO MX、BS日テレ等で放送中。
"Ya Boy Kongming!" has, I don't know that who come up with it, a foolish story-setting, and is a forward-looking anime.
8話までみた。諸葛亮孔明が現代日本の渋谷に転生し、売れない歌手に仕えるという設定で、その歌姫を売り出す戦略を練る、というシンデレラストーリーであり異世界転生・転移ものの変形。
I watched to the episode 8. Zhuge Liang Kongming (181 - 234, a strategist and statesman in ancient China) reincarnates to Shibuya, Tokyo in the present Japan from the Three Kingdoms period (220–280) in ancient China. That is story-setting of the anime.
Thereat he serves an un-famous diva, and plans promotional strategies for the diva as his lord. That is a variant of the Cinderella story and the reincarnation / transition into another world story.
異世界転生ものは、昨今隆盛するライトノベル(ジュヴナイルの一種、略称ラノベ、主客層が若いネトウヨ)のなかで流行っている分野。
彼ら彼女らが仮託しているであろう転生・転移者(異世界転生ものの主人公)が日本への未練をほとんど見せずに異世界で生きてゆく、というのは前向きであるけれど、主客層の感覚と乖離しているはず。
なぜ転生者は日本へ帰りたがらないのか、なぜネトウヨは日本から離れたがるのか、なぜネトウヨは異世界転生ものを反日コンテンツと批判しないのか？
The reincarnation / transition into another world stories are a popular genre in light-novels (a kind of Juvenile in Japan, they focus on main customers as young "Neto-uyo" who are internet-right-winger or alt-right in Japan.)
The reincarnator / transmigrant as Japanese protagonist who would project themselves lives in the another world, not much a lingering attachment for Japan, which must be defecting from main customer's sense, though a forward-looking.
Why the reincarnator / transmigrant doesn't wish for return to Japan? Why Neto-uyo wish for leaving from Japan? Why Neto-uyo don't condemn the another world stories as anti-Japan contents?
愛国心を自慢し、保守政党への忠誠を表すネトウヨが、大好きな現代日本から連れ出されて(日本から追い出されて)異世界に安住したり征服したりする、という小説やアニメが流行るところに、ネトウヨが現代日本では成功できないことを直覚し、その生活にストレスを感じていることを見てとれる。
It is observed that Neto-uyo are intuited which having misgivings about their life and can't successful in Japan, despite of they proudly have the nationalism / patriotism and express allegiance to the conservative party in Japan and US.
Therefore, I guess that win popularity among Neto-uyo stories which be removed from modern Japan (where they loved) or be ousted to the another world, then the protagonist lives a peaceful life in or conquer the world.
このアニメの孔明は、老境に入って平和な世を望んだ結果、現代日本へ転生しており、蜀が滅んだ歴史に無常感を覚えながらも、人々が生き続ける時間の流れを達観し、なぜ彼は祖国へ帰りたがらないのか、という疑問を抱くことなくアニメをみれる。バカな設定だが、前向きで合理的だった。設定だが、前向きで合理的だった。彼ら彼女らが仮託しているであろう転生・転移者(異世界転生ものの主人公)が日本への未練をほとんど見せずに異世界で生きてゆく、というのは前向きであるけれど、主客層の感覚と乖離しているはず。
なぜ転生者は日本へ帰りたがらないのか、なぜネトウヨは日本から離れたがるのか、なぜネトウヨは異世界転生ものを反日コンテンツと批判しないのか？
The reincarnation / transition into another world stories are a popular genre in light-novels (a kind of Juvenile in Japan, they focus on main customers as young "Neto-uyo" who are internet-right-winger or alt-right in Japan.)
The reincarnator / transmigrant as Japanese protagonist who would project themselves lives in the another world, not much a lingering attachment for Japan, which must be defecting from main customer's sense, though a forward-looking.
Why the reincarnator / transmigrant doesn't wish for return to Japan? Why Neto-uyo wish for leaving from Japan? Why Neto-uyo don't condemn the another world stories as anti-Japan contents?
愛国心を自慢し、保守政党への忠誠を表すネトウヨが、大好きな現代日本から連れ出されて(日本から追い出されて)異世界に安住したり征服したりする、という小説やアニメが流行るところに、ネトウヨが現代日本では成功できないことを直覚し、その生活にストレスを感じていることを見てとれる。
It is observed that Neto-uyo are intuited which having misgivings about their life and can't successful in Japan, despite of they proudly have the nationalism / patriotism and express allegiance to the conservative party in Japan and US.
Therefore, I guess that win popularity among Neto-uyo stories which be removed from modern Japan (where they loved) or be ousted to the another world, then the protagonist lives a peaceful life in or conquer the world.
次回は「エスタブライフ グレイトエスケープ」。
The viewers must do think "Why he doesn't wish for return to his homeland?"
And they will do think this anime's setting is a foolish, a forward-looking and rational.
Kongming in the anime came to reincarnate to the present Japan since he wish for a peaceful world into advanced age. Then he has felt the uncertainty of history for the downfall of Shu (221 - 263, his homeland, one of the Chinese dynasties), while philosophically sees living people in time-streams in future far after the downfall.
Next time is "ESTAB LIFE: Great Escape."
